What he craved was neither luxury nor the high rhetoric of history painting, but apprehensible truth, visible, familiar, open to touch and repetition.
他渴求既非奢华也非历史画极尽修饰,而是解、看得见、感觉熟悉、摸得到且重复实。
What he craved was neither luxury nor the high rhetoric of history painting, but apprehensible truth, visible, familiar, open to touch and repetition.
他渴求既非奢华也非历史画极尽修饰,而是解、看得见、感觉熟悉、摸得到且重复实。
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